LUTs & Presets

FilmVision Pro

$349

FilmVision Pro is the latest evolution of my film emulation pipeline, designed to accurately replicate the look of digitized negative-to-print film. But it’s more than just film emulation—this new workflow also includes a suite of cinema-grade looks that work seamlessly alongside the emulation process. Together, they create a flexible and dynamic toolset for color grading, giving you the ability to achieve both authentic film emulation and creative, unique looks. FilmVision Pro is one of the most versatile color grading solutions available.

The workflow follows a structured and film-accurate pipeline. It begins by converting your digital log input into Cineon Log or a simulated negative film scan, effectively mimicking the first stage of a traditional film process. From there, the image is balanced and refined, then passed through a print film or display transform to prepare it for final viewing

Our Review

FilmVision Pro — Consistent, Client-Ready Color Grading Without an In-House Colorist

The gist: A structured DaVinci Resolve color pipeline built for editors and content professionals who need a repeatable, cinema-accurate look across every project without manually building it from scratch each time.

Repeatable workflow: Converts footage through a simulated negative-to-print pipeline, giving you a consistent starting point instead of eyeballing a new grade per job.
No extra software cost: Runs in DaVinci Resolve's free tier, so freelancers and small studios can adopt it without adding a paid app to their stack.
Range of looks: Includes multiple cinema-grade options alongside the core emulation, useful for matching different client briefs.
Built by a practicing colorist: Created by Serr, whose Moment creator profile positions the tool as replicating a Kodak Vision3-style film look for professional motion work.

Serr's own creator profile on Moment frames FilmVision Pro's structured pipeline as more accurate than a typical one-click LUT because it mirrors real film development stages rather than a flat color overlay.

Best for: freelance editors or in-house content teams standardizing color across client deliverables. Skip it if: you only edit occasional personal projects — the price is hard to justify outside client work. Runs ~$349 — check the current price before buying.

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