LUTs & Presets

FilmVision V2 Powergrade (Davinci Resolve)

$60

True film emulation for any digital footage.

If you’ve shot any motion picture film whether that be 8mm/16mm/35mm. Then this workflow is going to be very familiar to you. I convert your footage into a flat/log lab scan and you will manipulate the contrast and color temperature to achieve your desired look. 

1. Easy & fast In a matter of seconds, you can get a beautiful Kodak Vision3 500T/250D look. 2. Flexible You have full control over the look you're going for. This will also work with any camera log profile. 3. Accurate One of the most accurate film emulations on the market due to the nature of the workflow.

*Only Compatible with paid version of Davinci Resolve

Our Review

Overview

FilmVision V2 Powergrade is a DaVinci Resolve plugin that emulates the look of traditional film stocks, specifically Kodak Vision3 500T and 250D. This digital tool transforms footage into a flat/log lab scan workflow, allowing colorists to achieve authentic film aesthetics through familiar contrast and color temperature adjustments.

Key Features

  • True film emulation workflow that mimics traditional lab scanning process
  • Quick application - achieves film look in seconds
  • Works with any camera log profile for maximum compatibility
  • Full control over contrast and color temperature adjustments
  • Emulates popular Kodak Vision3 film stocks
  • Requires paid version of DaVinci Resolve

Best For

Content creators and filmmakers who work remotely, travel videographers shooting documentary work, and digital nomads creating cinematic content on the road. Particularly valuable for those with experience shooting actual film who want to recreate that aesthetic digitally, or colorists working on client projects from various locations.

Things to Consider

Requires the paid version of DaVinci Resolve, which adds to the total cost of ownership. The workflow assumes some familiarity with color grading and film processes. At $60, it's a significant investment for casual users, and the accuracy claims are difficult to verify without side-by-side film comparisons. No mention of included documentation or tutorials for beginners.

Our Take

FilmVision V2 offers a promising approach to film emulation through workflow simulation rather than simple LUT application. For traveling content creators serious about achieving authentic film aesthetics, the investment could be worthwhile, though the requirement for paid DaVinci Resolve and assumed technical knowledge may limit its accessibility.

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