1.33x Anamorphic Lens Adapter

Moment 1.33x Anamorphic Lens Adapter — Pro Widescreen Output for Commercial and Narrative Video Work

The gist: Commercial video producers and independent filmmakers who need a deliverable 2.35:1 widescreen format without a dedicated anamorphic prime get that capability here — at a fraction of true anamorphic glass costs.

• Full-resolution 2.35:1 output: The 1.33x squeeze captures the entire sensor and de-squeezes to widescreen in post — no resolution is lost to cropping, which matters for high-end commercial deliverables.
• Universal lens compatibility: Rear 67mm thread accepts step rings for virtually any lens mount, so you can use it across different camera systems on multi-camera commercial shoots.
• All-metal professional build: The construction is designed for repeated professional use — not a consumer accessory that flexes or loses alignment mid-production.
• In-camera desqueeze support: Works with cameras that support anamorphic preview modes (Sony FX3, Blackmagic) so your monitor shows the actual framing during the shoot.

No Film School found the adapter produces “clean, sharp rendering” at 85–135mm focal lengths, with the single-button locking alignment making it practical for production environments where every minute counts.

Best for: Commercial producers, narrative filmmakers, and video directors who need a cinematic 2.35:1 deliverable without the $10k+ cost of dedicated anamorphic glass. Skip it if: your setup is run-and-gun — at 880g and with a 0.7m minimum focus, it needs a supported rig to be practical. Runs ~$1,050 — check the current price before buying.